![]() Dismissal from Fresh Air edit On November 26, 2018, Edelstein came under controversy when he made a joke on his Facebook page about a rape scene in the film Last Tango in Paris which was viewed as 'offensive and unacceptable'. If you weep through the final credits, you won’t be alone. Edelstein regularly appeared as a guest on Charlie Rose to talk about the movies and the Oscar telecast. But the hard, material fact of her and of Aparicio’s performance gives Roma its human core. Does Cuarón overidealize Cleo? Certainly. He is also credited with coining the term 'torture porn,' a genre to describe such movies as Hostel and Saw. ![]() He is often associated with close friend, fellow film critic, and iconoclast Pauline Kael. ![]() Cleo is buffeted, trapped, nearly broken, until her suffering and endurance takes on the quality of myth. Edelstein became a journalist after graduating from Harvard University in 1981. But slowly … slowly … the audience is drawn in, and Cuarón’s formal, black-and-white cinematography (nearly every shot is a gliding horizontal line) begins to pay off emotionally. ![]() ![]() An indigenous Mexican (her primary language is Mixtec) in a country ruled by the descendants of Spanish colonialists, Cleo holds herself in reserve, and at first even the camera can’t quite penetrate her mask of stoicism. Alfonso Cuarón’s haunting portrait of a socially, racially, and sexually stratified Mexico City in 1970 and ’71 comes dressed as an autobiographical memory play: Cuarón’s stylized recollection of his newly broken middle-class family and of the housekeeper, Cleo ( Yalitza Aparicio), who struggled to find her equilibrium in a world in which she had so little power. ![]()
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